Two successive Gary posts in a day. Somewhere in the world, something wonderful must be happening. Maybe HotBody Lightbody is googling his own name and he finally found this blog. Hallelujah, 'tis been a long time coming.
One thing is for certain. Snow Patrol has certainly cheered up.While Eyes Open was a heart-wrenching word description of the trajectory of a failed relationship, filled with sensitivity (Chasing Cars), frustration (It's Beginning to Get to Me), penitence (Make This Go On Forever), separation (Set the Fire to the Third Bar), desolation, and acceptance (The Finish Line). Eyes Open brought with itself a set of fourteen masterpieces that merged into one to give the world Snow Patrol's best album. It was an album that defined poignancy, and each track stood out as favourite, and the album as a whole made one surrender, made one float, and made one soar.A Hundred Million Suns comes two years after Eyes Open, conceived in Germany, and partly in Ireland, in a house that was located on a cliff that overlooked the sea. The band firmly maintains that this is their best album yet, while most fans tend to believe that with AHMS, they've succumbed to the pressures of chartbuster-music, brought on because of Chasing Cars. Their opinion is that SP's best album is still a toss between Final Straw and Eyes Open. That's what the general mass of them thinks.And quite obviously, I disagree.Yes, AHMS is not Eyes Open. It's cheerful, it's happy, and it's reflective, but in an optimistic way. Both albums make you feel nostalgic, but while Eyes Open will make you think of the days when you felt your worst, and of the days that you wanted to curl up and die just at the thought of another day in your dreary existence, AHMS will bring to your mind the colours of an amusement park flashing past your eyes, the smell of buttered popcorn, the feel of your favourite blanket on a cold night, the taste of your favourite food on the day that you feel the sickest. I wouldn't exactly call it upbeat, but it's definitely one of those albums that will make you smile. Eyes Open reopened wounds and made you cry inside, and AHMS is a phantom kiss on your forehead, it is a reassuring hug, it is a wonderful band-aid.Snow Patrol goes all out in this album, reverting back to their more gutsy songs, reminiscent of Final Straw's Spitting Games and Tiny Little Fractures. Although their lead guitar has definitely mellowed down, and yes, their bass guitar is not that discernable anymore, Snow Patrol has definitely mastered the art of combining all the standard band instruments, mellowing them down to their style, and throwing in a few piano chords in the mix to make it unique. The chorus of each of their songs is more crowd-friendly, with simple background vocal effects that exude the aura of a large stadium without compromising on the homeliness of the band. Snow Patrol has always maintained that they are not one of the bands that will be remembered for on-stage theatrics - their music and their entire persona is based upon their approachability and their easy going attitude. AHMS amplifies this very maxim.Eyes Open was an album which when played in the order of listing, started off with the atmosphere-creating "You Are All I Have", became softer with Chasing Cars, reached a crescendo with Make This Go On Forever, employing martial drum beats, church-choruses and the persistent piano, then quietened again with Set the Fire.., and died down with The Finish Line.AHMS is not an album that requires you to play in order, but if you do, then each song will make you wish you had heard it before, because the chorus is so infectious, you wish you knew how to sing along. There is the notable introduction of an acoustic guitar which lends a somewhat pleasantly jangly note, making you feel like you were at a live bar listening to them jam. Take Back the City, the first single from the album, is one of those very songs, bordering on an anthem-like sound, an acoustic bass-line and a tune that grows on you. I know someone who hated it at first listen, then went around humming it the rest of the week. It'll catch your attention, and it'll stay there. My favourite track as of now is Crack the Shutters, with a soundscape reminiscent of You Could Be Happy (high, isolating piano tinklings!), but this song is just so uplifting, it's amazing. A first listen will get you hooked, but by the time you read the lyrics, you wish this song had been written for you. Lifeboats is another one that is racing up my most-played list; I think it's because of the pitch - it just sounds a little different, like half-an-octave off the regular. Of course, I might be wrong, but I think that's why. The Golden Floor is slightly off the beaten track for Snow Patrol, with a very interesting beat that piqued my interest. However, the song that got me all curious was Snow Patrol's first 16-minute long song, called The Lightning Strike. The Lightning Strike has three parts, What if this Storm Ends?, The Sunlight Through the Glass, and Daybreak. All three parts are isolated songs on their own, bound by a common thread. While I would think it ambitious of Snow Patrol to infringe upon long songs that are normally the territory for more "hardcore" progressive rock bands, it's a brave try, and while I wouldn't say that the experiment entirely succeeded, it's nice to see that they're constantly try to reinvent and challenge themselves musically. It's not that I don't like it, but I just really don't see the point of having one long song, when clearly, it's just three songs. I'm assuming they know something I don't?Conclusively, I'd say that AHMS certainly does not deserve the criticism that it has been the receiving end of. Most people who listen to Snow Patrol are those lovers who've only heard Eyes Open, and a few famous old ones, like Run, Spitting Games, and Chocolate. Yes, Eyes Open got them attention, and yes, it made them very, VERY famous, but it's presumptious to claim that the generally radio-friendly nature of AHMS is a desperate, Billboard-hungry claim to fame. No, Snow Patrol is not trying to knock anyone off the charts with this album, but it's rather clear why they say it's their best album ever. It's subtly diverse, with different beats, different styles.But before I finish, I do have to lech over Gary Lightbody.This guy is just unbelievable. I have ABSOLUTELY no words for him. He is just hot. The dishevelled wild look of Chasing Cars, the clean, light-stubbly Chocolate, and then neurotically love-struck in Crack the Shutters, this man makes me melt. And as if his visual appeal wasn't enough, he has an Irish accent, an amazingly English sense of sarcastic, wordplay humour. And he has pretty eyes.And on top of that, he is about the most sensitive lyricist that I have heard of. He is one of those people who manages to write flattering and wonderful things about a girl, without being even a tiny bit corny, or cheesy or cliched. In When It's All Over, We Still Have to Clear Up, he makes being a stalker sexy with An Olive Grove Facing the Sea. He makes bonfires adventurous with Firelight.In Songs for Polarbears, he sang Velocity Girl, and we all know what that did to me. In Final Straw, he brought on the apocalypse with Chocolate, became a high-school stalker in Spitting Games, and showed the magic of plain and simple piano with Same and also, the violin in Grazed Knees. And then in Eyes Open, we all forgave him for his mistakes, and we all fell in love, even though the album was penned by Lightbody in the avatar of a repenting philanderer.And then in A Hundred Million Suns, he finally pushed me over the edge with Crack the Shutters.Thanks a lot, Gary. Because of you, my expectations is the opposite sex are soaring high. They need to be tall, they need to be songwriters, and they need to be friendly.Bonus points if their name is Gary.Bnous browniepoints if their surname is Lightbody.
Oh God, I need to get a life.
I hate this weekend, which is saying a lot, because school sucked this week too.
Making Enemies (When It's All Over, We Still Have to Clear Up)
4 comment(s) Posted by VelocityGirl (tm) at 10:21:00 AMYes, yes, I know, and I apologise to all of the four people who read this blog. I haven't been updating for a while. First the holidays started, then my father came to visit and kept snatching the laptop so he could play Freecell *snarl*, and I do have ideas in my head for one of my Alter-Ego posts, but I haven't really formatted it out in my head, so bear with me. All in good time.
For some reason, I am not studying Biology. The damned "b" key isn't working on my keyboard anymore, except when I jab it with extreme force.
So basically, me and my mother were watching Rock On! together yesterday, on DVD because we're too cheap-ass and bored to go to a theater, and there is this one line in the film which Purab Kohli, aka K.D., says - "When you're twenty, twenty-two, you think you can rule the world."
Mum: "No, they're little boys who play on their instruments and pretend to have a career."Me: "But being a rockstar is a real job. Like, with money, fame, and you know... stuff."Mum: *puppy-dog eyes* "You're just seventeen, you wouldn't know."Me: *obviously miffed with the age-related comment* "Mmpf."Mum: "When you're 30, you'll know."Me: *has thought of wonderfully witty comment* "Aww, you still remember what 30 feels like, Mum?Mum: *is sending out wave upon wave of death threats and curses.. silently*Me: *sidles away* "HAVE YOU NOTICED THIS BAND DOESN'T HAVE A BASS GUITARIST?"Mum: *squints at television* "But they HAVE two guitars, na?"Me: "Yes, but Joe is lead, and Aditya is a vocalist, and he's not bass, because he's not playing continuously."Mum: "Which one is Joe?"Me: "The one with the long hair."Mum: *squints again* "They ALL have long hair."Me: "The one who's playing a guitar, and has long hair."Mum: "Oh. His hair is awfully floaty, you think they filmed the movie with a spot boy lugging a blower fan under him whenever Joe was on screen?"Me: *is dumbfounded* *shudders slightly* "I don't know."
The Grandparents are leaving tonight. Which is a good thing, for me, atleast. I know, yes, that I sound very callous, and yes, I do believe that there is some form of love for them at the bottom of dark, black shrivelled up heart. But still, they're leaving tonight, and that makes me happy. Call me evil if you will, but I'm still pretty happy about it.
I wish I was my iPod. On some days, when I plug it in to the laptop to synchronise, all of its own accord, it just self-destructs and mulishly refuses to respond to anything. I wish I could mulishly sit around and be stubborn. With reason. Because I do it for NO reason many times over.
Stealing just a teeny bit from Anushka's blog, I shall, I shall!
"An Apple for Serenity, a Pendant for Balance"
2 comment(s) Posted by VelocityGirl (tm) at 12:26:00 PMCheer up, Mum, It's Better to be Over the Hill...
5 comment(s) Posted by VelocityGirl (tm) at 11:07:00 AMThan to be Under It.
My mother turned 40. Two days ago, my mother turned 40. Which officially makes her an old person. It isn't much of a difference, actually. She doesn't look different. However, she has taken to smelling different, somewhat like acrid plastic. See, the acrid plastic thing she brought upon herself. The morning she turned 40, she ransacked the dresser and extracted from its depths an anti-aging cream that my father had left behind a couple of years ago. The cosmetic thing, honestly, she doesn't need, but she doesn't believe me, and now, according to her, she is 40, and thus her own principles allow her to assault her face with things that smell like burning PVC. Good for her. Maybe?
I don't get the big deal about turning a certain age. Save for the fact that I desperately want to be 17. It's been a million years since I turned 16. But more importantly, I don't understand why my mother would be so miserable about turning 40. Yeah, SURE, now people can tell you to your face that you're old, but you know, aside from that. I'd love to be old, and yell at people for the simple reason "Because I'm Older than You, B****!"
My mum however, fails to grasp the simple concept of aging gracefully. I can only truly realise how potentially serial-killer she sometimes is when I objectively look at her antics, say for example this excerpt from an MSN conversation.
Sahana(11:03):
Oh, and my mum turned forty.
Sahana (11:04):
Which gives her more reason to be mad at the time (now she calls it cantankerous or menopausal instead of angry)
Sahana(11:04):
Not to mention, she's spending all her free-time buying anti-ageing beauty products, which not only smell like burning plastic, but do NOT WORK!
Sahana(11:14):
And in somewhat good news, I finally found a hairstyle where I don't look like an electrocuted dog.
Sahana (11:16):
My mum was throwing things around looking for her elixir of youth, and she nearly poked my eye out with this hairclip thing.
Yes, My mother is phobic of getting old. Happy belated fortieth birthday, Mummy.
*Evil Laugh*
P.S. - Any of you who comment back telling how angelic and humourous my mother is WILL be gravely injured.
I'm serious.
There is something wonderful about a debate that makes me all shivery, afraid, tense, anticipatory and joyful all at one go. It must the idea of verbal warfare, the idea of spoken skirmishes, the idea of vocal battle – the adrenaline in your system that makes you tense up, your mouth go dry and your limbs sluggish when the speaker just before you is finishing their speech and you know you’re next. The three-ish minutes of your speech that you will never remember once you’re done with, the three minutes on which everything depends, the three minutes where nothing makes sense, not even the words you say. In those minutes the audience becomes a sea of faces that all look the same – skin colored and unrecognizable. The cold in your fingertips, the numb toes. The flood of heat through your system when you’re done with your speech and the audience claps and snaps you out of the reverie that you were in while at the podium and instantly the world comes back into focus and you can process the faces again, remember the names and remember whether you hate them or like them, and whether they were better or worse than you.
Although, this whole debating thing is made even better because of my debate-buddy and general-buddy, Aanooshka Seyn. And as one of the advisors said – we’re very different, but we’re pretty much like peas in a pod. She is sober, I am not. She is sarcastic, I am over the top. She never forgets her speeches, and sometimes I do. She claps for me and I clap for her. Together we point and laugh at the people who flub up, and then she yells at me for being uncouth. She talks of poetry and calls me a macho science geek. I talk of almost everything nonsensical under the sun, and I call her Humanities. She makes references out of people and things I hate, and cock eyebrows at all the things I say, and register them for later blackmail. When a speaker talks of the audiences’ wives, all the girls in the audience go “Whaaa?”, but I turn to her and say – “Oh crap, they found out about us?” Yes, Tiny, thank you for being my debate partner. Your secrets are safe with me, although I don’t think that assurance is mutual, I still love you.
I’ve been missing classes and hanging around the LN Birla debates the last couple of days, and among other things, the debates made me realize how much I love debating (and missing school). Much thanks to the teams who sat behind us and had a tiny talking party – I think I might have died of boredom and/or eating my arm out of sheer ennui if it wasn’t for you. Thank you Girls One and Two, for not being vapid but pretty good conversation, and even though one of you kept talking poetry at a point in time, you were still pretty normal. (Shut up, Aanooshka Seyn. ) Both of you. Thank you also those other two in the back. One of you was pretty much err.. okay as always. The other was a <> as always. Which was expected. (Again, shut up, Aanooshka Seyn) Aaaand, we qualified for the next round. So, that went off pretty great for us, that first day.
The next day, me and Aanoshka Seyn acted like a couple of over-confident, underprepared b!t(#e$ and therefore we got pwned. Even so, she missed a test, and I missed Double Math, so all in all it was quite a fruitful day. Despite that odd girl who I still think does not look like me. Despite the fact that we didn’t win. Despite the fact that I was extremely bored on stage. Despite all the unnecessary sports and games. Despite all of that and more stuff, I still count my blessings.
During the Twilight between the Time that the Old Recedes and New Rings Itself In.
4 comment(s) Posted by VelocityGirl (tm) at 6:27:00 PMThe constant, searing smell of freshly-stripped walls hangs about everything in this house; with every gust of the buffeting warm wind that strays through the windows, and like a constant mist suspended from the ceiling.
With every still, sultry hour that passes with the ominous ticking of the obnoxiously loud clock, the stench of sweat mingles with the sweetish, penetrating odour of paint.
The brushes grate against the wall mercilessly, and little defeated splinters of paint fall to the floor, vanquished.
New cans of (winner) paint huddle in a corner, smugly viewing the old,fallen (loser) paint with a victorious gleam in their limpid paint-eyes.
The furniture huddles forlornly in the middle of the room; sad spectators to a joust they were indifferent to, under a fan with no blades covered with newspaper like an origami chandelier gone horribly wrong.
The battlefield wall stands stoic and silent, variously blotched with the warpaint of the morning's struggle, and oblivious to the new cracks that blossom like fat (useless)bloodless veins.
The workers leave.
The (new) paint stays.
The (old) paint flecks the floor.
They switch off the lights.
So, random thank-you-post-its, because SGpt tagged on Facebook, and I publicly announce them on this limited-readership blog. (Not a good thing.)
Thank You:
For the word Cabrao, which is very useful, and means two very conveniently useful things.
For Rui, who told me what Cabrao meant. And what Cabrao also meant.
For All Dat We Dun, Luk Watchu Dun!
For the Purging Power of Music.
For Western Music which has made me sick of Matthew Bellamy.
For SGpt, who writes tremendously incoherent, seventeen-ish syllable haikus.
For Saccharine, that makes Sugar-free lives so easy and accessible.
For the little thing that allows me to hide Offline even when I'm actually Online.
For Jet Jetski Jetschkei Gidlew Gupta, the most-unkiller ibbly-gibbly-pootie-dog that I am still not afraid of.
For Forrest Gump, a pwner of a movie.
For Female-Ireland, who let us review it.
And for Ireland, who gave us Mr. Lightbody.
Amen.